Sunday, July 04, 2010

2010 AJL Convention Session: Everyone's A Critic

At the Association of Jewish Libraries 2010 Convention, I organized a panel presentation on book reviewing with Ellen Cole, Kathe Pinchuck, Lisa Silverman, and Rita Soltan.

This post is our online handout, and a record of our presentation. Rita was not able to join us in person, but sent in a Powerpoint to share her thoughts on the difference between writing a review versus an article.



FOR FUN

The Top 20 Most Annoying Book Reviewer Phrases and How to Use Them All in One Meaningless Review

Book Review BINGO


MORE SERIOUS RESOURCES

Suggested Resources for Jewish Children's Book Reviewers, a bibliography/webliography by Kathe Pinchuck

Excellence in Jewish Children's Literature: A Guide for Book Selectors, Reviewers, and Award Judges (AJL Publication)



From Cover to Cover: Evaluating and Reviewing Children's Books by K.T. Horning (HarperCollins, 2010 revised edition)






Faint Praise: The Plight of Book Reviewing in America
by Gail Pool (University of Missouri Press, 2007)







Critical Mass, the blog of the National Book Critics Circle Board of Directors, posted "Reviewing 101" by John Updike in 2006:

Thirty-one years ago, in the introduction to "Picked Up Pieces," his second collection of assorted prose, John Updike laid down his own six rules for reviewing. They are still the single best guide to fairness today:

"My rules," he writes, "shaped intaglio-fashion by youthful traumas at the receiving end of critical opinion, were and are:

1. Try to understand what the author wished to do, and do not blame him for not achieving what he did not attempt.

2. Give him enough direct quotation--at least one extended passage--of the book's prose so the review's reader can form his own impression, can get his own taste.

3. Confirm your description of the book with quotation from the book, if only phrase-long, rather than proceeding by fuzzy precis.

4. Go easy on plot summary, and do not give away the ending. (How astounded and indignant was I, when innocent, to find reviewers blabbing, and with the sublime inaccuracy of drunken lords reporting on a peasants' revolt, all the turns of my suspenseful and surpriseful narrative! Most ironically, the only readers who approach a book as the author intends, unpolluted by pre-knowledge of the plot, are the detested reviewers themselves. And then, years later, the blessed fool who picks the volume at random from a library shelf.)

5. If the book is judged deficient, cite a successful example along the same lines, from the author's ouevre or elsewhere. Try to understand the failure. Sure it's his and not yours?

To these concrete five might be added a vaguer sixth, having to do with maintaining a chemical purity in the reaction between product and appraiser. Do not accept for review a book you are predisposed to dislike, or committed by friendship to like. Do not imagine yourself a caretaker of any tradition, an enforcer of any party standards, a warrior in an idealogical battle, a corrections officer of any kind. Never, never (John Aldridge, Norman Podhoretz) try to put the author "in his place," making him a pawn in a contest with other reviewers. Review the book, not the reputation. Submit to whatever spell, weak or strong, is being cast. Better to praise and share than blame and ban. The communion between reviewer and his public is based upon the presumption of certain possible joys in reading, and all our discriminations should curve toward that end."

1 comment:

Lisa said...

thanks, Heidi--an excellent and useful post!